It is quite common for writers to blend together the real
and imagined. Writers use their memories and recollections constantly in their
writing, but you cannot tell what is fiction and what is fact. That’s actually
a good thing. It allows the writer to maintain their privacy while exploring
their thoughts, musings and experiences in an engaging way. Because you are
writing fiction, you can add to your story whatever aspects of the narrative
you want to develop⎯ setting,
characters, plot, description, etc. It’s up to you.
You too can use minute details in your own writing. Below is
a piece of writing that uses minute details. The writing is framed by the
heading: Squirrel. The writer has been inspired by a real-life memory about a
squirrel while teaching in Kent in England in the spring, however imagined
elements have been added, such as the experience of the school student.
Example
As you read the following scene think about the types of
sentences used and the juxtaposition of minute details and a tense situation.
Squirrel
The tree on our way to school was in the middle of the park
where old men take their rest before walking up the steep hill to the meadow.
One morning Johnno and I teased the squirrels and threw rocks at them. I wanted
to hurt them. Don’t know why. Just felt good inside to watch something in pain.
Johnno opened his backpack and took out a slingshot. He
picked up a pebble from the ground and placed it in the sling and aimed it at
the white flowers covering the branches. Maybe he meant to hit one, maybe just
scare them. I don’t know. I watched and said nothing. Johnno let go of the
elastic. The pebbled hurled into the tree, disturbing the papery pink flowers
which fell like snowflakes. We heard a crack like hands clapping.
A squirrel dropped out of the tree and landed in front of my
feet. I bent down. It lay on a blanket of soft petals. I pushed it with my
finger. Nothing. I pushed it again and looked at Johnny. I thought about how I
liked watching the squirrels scurry up and down the trunk collecting berries. I
wouldn’t tell Johnno that. Wouldn’t understand. I turned to Johnno. He was half
way up the hill toward school. I could see his backpack half opened wobbling.
I looked out toward the park and up the hill. No-one coming.
I pulled out my sports uniform from my bag and wrapped the squirrel in my
t-shirt, careful not to touch its body and then covered it with my skirt. I
threw my bag over my shoulder and carried it up the hill to the edge of the
meadow, overlooking our town.
I looked for a spot where the grass was overgrown to bury
the squirrel. I took out a pencil from my pencil case. I repeatedly jabbed at
the soil, breaking up the earth, grunting softly. The soil was dry and gritty,
cold and chalky grey. I wiped the sweat off my forehead. With my hands I
scooped out the soil and dumped it on the grass like a tipper truck. Slowly, I
dug a hole in the earth about the size of a basketball. I knew I’d be late for
school. Didn’t care.
I unwrapped the clothing from the squirrel like it was a
baby and stared at it. Its coffee eyes glaring at the sky. Its grey fur,
flickering light. I leant my head towards it to listen for breath. The fur
brushed the side of my chin lightly. But nothing, just the hum of the cars
below. I placed my hand over the squirrel’s body, but pulled them back, ensure
of its death.
A rustle in a tree diverted my attention. Nothing. This time
I placed my hand on its body and kept my hand still. It was still warm and its
fur tender. I glanced at the trees behind me. I placed the squirrel in its
grave like it was fine china and covered it up. I stamped the grave with my
feet. I looked out at the town. The continuous burnt orange rooftops, the cars
gliding along the roads as if caught in a maze.
They gave me an after-school detention for being late that
day. This time I deserved it.
Exercise
a Using minute
details, write a small scene inspired by a heading. It can be a real or
imagined situation. Make a list of five or more headings. Go with the last one
you come up with.
In your writing experiment with the following:
• types of
sentences
• juxtaposition
of minute details and an intense situation
• the state of
mind of each character.
Before you write your piece, you may like to brainstorm the
following:
Heading:
Who is involved?
What is intense about the situation?
What is the state of mind of each character?
What happens?
How
does it end?
No comments:
Post a Comment